Max Wade
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Statement of Methodology

My imagery comes from a combination of influences. Recurring dream subject matter, personal experience and metaphors for parts of my character make up the basis for the images I create. I do not see this as unique or different from other artists. We all tend to create what is a part of us; a culmination of our own personal data base. For years my images have taken on a life of their own, in some ways creating insights into my own personality. Sometimes we just have to create art and let the creations tell us who we are. I like to think that I do not create my art, it creates me. Like a form of therapy, art is the vehicle that reveals who I am. For a long time I did not know what my images meant. I just kept coming up with a combination of symbolic forms, set in particular kinds of environments. My images were telling me “this is who you are, where you have been and where you are going”. As my understanding of what I was creating grew, my confidence and refinement of style solidified. I still begin my works with no preconception of the end result, but my handling of the materials and finished statement are more assured.

 

I have become very comfortable with what I can achieve working on very dark surfaces. One of the things I find intriguing about working in this manner is the intensity of light on surface that can be achieved. Color takes on a very different intensity when placed on a dark surface. My work has a rather dream-like atmosphere due largely to the muting that comes from the dark surface. Even the most opaque colors have a bit of transparency or can be manipulated so, which acts on the finished values. Over time, regardless of medium I have needed to create a completely different pallet from the one I had become accustom to on traditional predominately white surfaces. The resulting overall appearance is an integral part of my statement.

 

I was born in California and lived there until I was 11 years old. At that time my father, a Washingtonian, arranged for a transfer and moved our family to the small Washington lumber town of Longview. I lived there through my high school years. I guess I had big city in my blood because I was inexorably drawn to Seattle, where I lived for 30 years. For a variety of reasons I moved back to Longview in 2003.

As a child I showed a natural inclination for creativity. I remember loving to draw before I was school age. I would spend hours sitting with crayons, clay and anything else I could make things with. For years I wanted to be a realist, and followed that course. By the time I attended art school I was looking for ways to “loosen up”, to have less control of my process. In those years I was introduced to the Dada and Surrealist movements in art history. I was intrigued by the way this group of artists, writers and musicians experimented in various methods of tapping into the unconscious to create a separate reality. These artists were classically trained, so there techniques and handling of materials were very solid. They were consciously breaking the rules they had learned. Intent and content became the real issues. It was their ability to create dream-like imagery that separated their work from centuries of predominantly realist genre. Artists that most influenced my work are Giorgio de Chirico (who in my estimation is the father of surrealism), Yves Tanguy, Max Ernst, Dorthea Tanning, Salvador Dali and Roberto Matta.

 My images are metaphorical in nature, juxtaposing the recognizable with the improbable. The images come not from the world around me, but rather from within. They tend to flow onto the substrate. For the most part the images tend to create themselves without a conscious beginning or end. I still enjoy rendering with a classical style with regards to light on surface, perspective and such, but the subject matter takes on a life of its own.

 I sometimes describe my style using a road trip analogy. We commonly plan our trips. We know where we are going, what route we will take to get there and how long it should take. However, one can take a journey with no map or planned destination. One will always wind up somewhere, and quite often discover interesting things along the way.

 

KEEP YOUR EYES ON THIS SITE. OVER THE COMING WEEKS I WILL BE ADDING SIGNIFICANT AMOUNTS OF WORK FOR YOU TO SEE.